Editorial
For the first time in 22 years, an issue of Culture Machine appears in languages other than English, reflecting not only the appreciation that the journal has received in recent…
For the first time in 22 years, an issue of Culture Machine appears in languages other than English, reflecting not only the appreciation that the journal has received in recent…
Text: David Burrows, Mark Jackson, Simon O’Sullivan, Stuart Tait Images: Ana Benlloch, David Burrows, Mark Jackson, Alex Marzeta, Vanessa Page, Simon O’Sullivan, Stuart Tait There is a technique for analysing…
¶I—As Above, So Below Dagmar Buchwald begins her contribution to a recent anthology on The Hollow-Earth as Concept and Conceit (Buchwald, 2012) with a vision of planetary – indeed post-planetary…
Although in general you could call us ‘depressed’, I honestly don’t believe we’re pessimistic. Without nostalgia – without even being emotional – we’re looking to the future. We consider ourselves…
Harrier and Jaguar by Fiona Banner (Tate Britain, June 2010-January 2011). Image by Andrew Carr. Harrier and Jaguar by Fiona Banner (Tate Britain, June 2010-January 2011). Image by Henry Bloomfield.…
It is Sunday morning in Cali, the sunny Colombian city that is known as both the world’s capital of salsa dance and the former headquarters of a powerful drug cartel.…
[It is] as if the principle of the death penalty were less in question than the cruelty of its application, to the point that if one could find a means…
Living In a ‘Drone Culture’? In the first shot, there is a kitchen table with different stuff on it. The text overlay explains this to be the ‘ingredients’. The camera…
Fig.1 Predator Drone Control Room, Balad US Air Base, Iraq, August 2007 Drone conflict is carried out by combatants facing a bank of screens and operating an array of controls…
Our fields of experience have no more definite boundaries than have our fields of view. Both are fringed forever by a more that continuously develops, and that continuously supersedes them…