Christian Kerslake One of Gilles Deleuze's first articles, published in 1946, was an introduction to a new French edition of an arcane work of philosophy bearing the title Mathesis: or Studies…
Vol 9 (2007) Recordings Painting in the Light of Digital Reproduction Dan Hays The proliferation of digital photographs on the Internet is incomprehensibly vast. These images owe much to the…
Vol 9 (2007) Recordings Rhythms and Refrains: A Brief History of Australian Electronica Ross Harley & Andrew Murphie Electronic music has played an important role in Australian popular music since…
Vol 9 (2007) Recordings 8 TRACK RHAPSODY Gary Genosko Cultural historians of the formats and associated technologies of pre-recorded popular music do not look kindly upon the 8-track tape. Fortunately,…
Vol 9 (2007) Recordings Mapping the Studion (Fat Chance Matmos): Sonic Culture, Visual Arts and the Mediations of the Artist's Workplace Jérôme Hansen 'Artistic praxis in media worlds is…
Vol 9 (2007) Recordings The Hallucinatory Life of Tape Paul Hegarty I It would be easy to see tape as part of a sequence in the development of increasingly perfect…
Vol 9 (2007) Recordings Vinyl is Dead, Long Live Vinyl: The Work of Recording and Mourning in the Age of Digital Reproduction Greg Hainge If, as appears to be the…
Vol 9 (2007) Recordings Pulse Demons Eugene Thacker Contemporary popular culture often privileges the visual representations of swarms. In film, the development of complex algorithms for simulating group…
Vol 9 (2007) Recordings Recordings Paul Hegarty & Gary Genosko The contributions to this special issue of Culture Machine, gathered under the thematic 'Recordings', perform a series of displacements toward…
Boulder and London: Paradigm Publishers. ISBN 1-59451-113-6. Matt Hills In a sense, I'm probably one of Lawrence Grossberg's intended readers for this volume -- somebody who is generally sympathetic to…